Oscars Producer Compares Awards Flub to the Titanic

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Oscars Producer Compares Awards Flub to the Titanic

 

 

Days after the best picture mix-up at Sunday's Oscars, producer Michael De Luca is still recovering, taking time to explain what happened in the aftermath, how he thinks it all should have gone down and what filmmaker called him for a "pep talk" in a conversation with The Hollywood Reporter's Kim Masters on KCRW's The Business radio show, which aired March 2.

 

Breaking down the Oscars night flub, when presenters Warren Beatty and Faye Dunaway announced La La Land as the best picture instead of the correct winner, Moonlight, De Luca says he was "heartbroken" over the moment.

 

"We really had empathy, being producers ourselves," he said of himself and his co-producer, Jennifer Todd. "Just what that must have felt like for the La La Land team, and then the Moonlight team being robbed of their full moment in the sun, it was heartbreaking."

 

"It’s one of those mistakes that everyone says will never happen," he added. "We didn’t in our wildest dreams think we had to have a conversation about what if the worst thing that could ever happen happens. Even when someone brought up, what if this happens? Everyone’s like, 'Don’t worry about it, they have protocols, it’s a fool-proof system.

 

"It’s one of those mistakes that everyone says will never happen," he added. "We didn’t in our wildest dreams think we had to have a conversation about what if the worst thing that could ever happen happens. Even when someone brought up, what if this happens? Everyone’s like, 'Don’t worry about it, they have protocols, it’s a fool-proof system.' I think they said the same thing about the Titanic and icebergs. It’s fine, it’s never gonna happen, don’t worry about it.’"

 

After the mix-up and amid the chaos, De Luca says the scene backstage "became like a Murder, She Wrote, instantly, of like, how did this happen?”

 

And in the blame game that began shortly after the onstage mistake, De Luca commends Beatty for how he handled things. 

 

"I actually think Warren Beatty is the unsung hero here, completely heroic," he said. "I think he was showing her [Dunaway] the card, like, 'hey are you seeing what I’m seeing? I think a mistake’s been made here.' To me, they are heroes and completely in the clear." 

 

Addressing how he would have handled things if he were in the accountants' shoes, he says that he learned after the fact that the two accountants in charge of the envelopes also memorize each category's winner just in case. "If I was in that job, and I know I’m Monday morning quarterbacking, which I detest, but I feel like if it's my one job, if I heard the wrong name, I’d walk directly to Warren Beatty and say 'you got the wrong envelope, here’s the right envelope,' and make a charming moment out of it." 

 

And the day after the confusion, he says he got plenty of emails congratulating him on a well-run show, but one phone call came immediately. "I did get one instant phone call from Steven Spielberg, who said he watched the show with friends at a screening room and thought it was great, and it was a real pep talk. I love him for it, it was really appreciated." 

 

“I would have loved the story to be Moonlight, this little film that has nobody traditional in it but celebrates African-American LGBT culture, won best picture. It’s a tremendous landmark and underdog story, and that should have been the lead story.” hollywoodreporter

 

In Defense of Warren Beatty at the Oscars

 

Beatty was not the culprit in Sunday's best picture fiasco, though many were quick to jump on him in an ageist rush to judgment.

 

By now it’s becoming clear that Beatty really was a victim of this epic fail. PriceWaterhouseCoopers has apologized to him, to Dunaway and everyone else. Yet, somehow, I suspect this will follow Beatty, and it’s not fair. He held on to that wrong envelope, to prove that he had been dealt a bad hand. Once the error was cleared up, he stepped up to the microphone and explained — with, for him, uncommon clarity and fluency — what had gone awry.

 

The shame of it is that the whole fiasco was deeply unfair to all involved with La La Land and Moonlight. We would have loved to see the pure moment of a Moonlight victory. Instead, there was confusion and embarrassment all around.

 

“It’s hard to feel joy in a moment like that,” said Mahershala Ali, who won for best supporting actor. And that is really a pity. We can only hope that those involved with both films ultimately can take the full measure of joy in their achievements which were, despite the chaos, recognized by their peers.